I first learned of the Mawangdui tombs in November 1999, at
a special exhibit at the National Palace Museum in Taipei, Taiwan. Seeing objects of the Li family’s daily life
and then staring at a model of Lady Dai “sleeping” created for me an irresistible
connection to her. I was gripped by the
vivid awareness that Lady Dai had been an actual person who had combed her hair,
suffered illnesses, and enjoyed good food and music.
My Desire
to learn more about the Li family and their world led me to track down
materials of all kinds on Mawangdui and on life in the early Han dynasty. I prowled university libraries for articles,
haunted bookstores in American and Asian cities, scoured websites, and was
spellbound by videos. Every source’s
bibliography launched a search to track down its sources.
In 2002 I traveled
to the city of Changsha to see the tomb site, as well as Lady Dai and the
artifacts in the Hunan Provincial Museum.
Seeing the full range of artifacts impressed upon me so many new details—the
astounding preservation of the two-thousand-year-old food, the glamour of the
silk clothes, the massiveness of the burial chamber timbers. Seeing Lady Dai’s actual body was
mesmerizing.
The next
year I published an article, “Silk Treasures of Mawangdui,” in Dig magazine. But writing one article wasn’t enough to
satisfy my curiosity; I wanted to keep exploring by writing a book about the
tombs.
Pieces of information
about Mawangdui lay scattered about my mind like pieces of a jigsaw
puzzle. How could I fit them together
into a book? Finally I recognized that
the Mawangdui tombs are like a time capsule: every artifact reveals something
about life in the early Han dynasty.
Each artifact tells a story—what it meant to the mourners who buried it,
how it expresses the artisans’ knowledge and skills, and what it was like to
live in that time and place. Within this
framework I could not only describe the Mawangdui artifacts but also explore
the history and culture of the early Han dynasty.
This
expedition has lasted fourteen years so far, yet my fascination with Mawangdui
and Lady Dai is as intense as ever.
Next? I would love to go back to
Changsha to see the artifacts and tomb site again, and to silently thank Lady
Dai and her family for inspiring my marvelous journey through time.
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